What are the implications for what is becoming a new kind of viewer of landscape today, and how could this be addressed in my work? These are two of the issues my research aims to open up. My way of working is a hybrid form that embraces both academic methods and art practice. I have approached my research through art practice and my art practice through research, with the understanding that in the process the material will undergo further changes. In See and Seen I find myself seeing my own art practice from the inside.